Please use this identifier to cite or link to this item: http://hdl.handle.net/123456789/6942
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dc.contributor.authorCarl, Florian-
dc.contributor.authorKutsidzo, Rosemond-
dc.date.accessioned2022-01-11T09:33:40Z-
dc.date.available2022-01-11T09:33:40Z-
dc.date.issued2016-12-16-
dc.identifier.issn23105496-
dc.identifier.urihttp://hdl.handle.net/123456789/6942-
dc.description18p:, ill.en_US
dc.description.abstractIn this paper we highlight the experience of music in everyday contexts in Ghana. Using the Experience Sampling Method (ESM) and semi-structured interviews, we examined how people experience and use music in everyday life in potentially beneficial ways to enhance subjective wellbeing. In contrast to previous research where music’s self-regulatory role has been highlighted primarily in the context of solitary music listening, for the participants in our study music also played a crucial role as a form of social and participatory performance practice. This was particularly evident in the strong connection between music, religion, and social danceen_US
dc.language.isoenen_US
dc.publisherUniversity of Cape Coasten_US
dc.subjectGhanaen_US
dc.subjectMusic experienceen_US
dc.subjectWellbeingen_US
dc.subjectEveryday lifeen_US
dc.subjectExperience sampling method (ESM)en_US
dc.titleMusic and wellbeing in everyday life: An exploratory study of music experience in Ghanaen_US
dc.typeArticleen_US
Appears in Collections:Department of Music & Dance

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