CHLS http://hdl.handle.net/123456789/946 2026-04-09T12:09:10Z 2026-04-09T12:09:10Z Bello, Madinatu http://hdl.handle.net/123456789/12246 2025-12-01T10:41:03Z 2020-06-01T00:00:00Z

Building and sustaining a performing arts market in Cape Coast Metropolis of Ghana: A study of connections among universities and non-academic performing arts organisations Bello, Madinatu The performing arts constitute a significant part of the Ghanaian culture because they help in cultural identity formation, knowledge dissemination and in representing the mood of a society. Despite these positives, most performing arts organisations in the Cape Coast Metropolis of Ghana have been facing numerous setbacks with regards to building and sustaining audiences and ultimately the arts market. Culturally, the people still assume that artistic offerings are a part of their everyday activities and must not be commodified even in the face of changing economic situations which had affected production costs, limiting organisational capacity to explore new promotional or marketing strategies for the building and maintenance of consumers. Thus, using an interpretive paradigm, I explored the current state of the performing arts market in the Cape Coast Metropolis, mode of audience development practices, success and challenges of promotional strategies employed using five performing arts organisations as my cases. The results revealed that the market was in a state of decline due to challenges with human, financial and physical resources, the unplanned nature of audience development practices and poor measurement metrics for strategies used which directly or indirectly rendered audience development activities less efficient. I recommended that performing arts organisation engaged in quality market research to understand the market space, audiences‘ needs, preferences, consumption patterns and barriers to consumption to inform their plan and strategy for audience development. I suggested a collaborative framework to audience development for groups to explore to build and retain audiences and the market.

2020-06-01T00:00:00Z Dawson, Nana Amowee http://hdl.handle.net/123456789/12237 2025-06-18T15:49:24Z 2023-07-01T00:00:00Z

“Pɛrpl Greyps”: Kodzi In 3re Beatz Dawson, Nana Amowee This study explores musical composition within contemporary theatre to rejuvenate traditional musical legacies and challenge established artistic structures. Grounded in Ghana’s rich cultural diversity and inspired by the concept of sankɔfa (cultural return to roots), the research endeavours to craft artistic expressions reflective of Ghanaian heritage. Employing Artistic Research within the Arts-Based Research (ABR) framework, this study develops ‘Pɛrpl Greyps,’ a ‘programmatic visual’ music inspired by indigenous storytelling traditions. The composition aims to revitalise Ghanaian-Akan-Mfantse folklore (Kodzi) by integrating traditional rhythms, avant-garde techniques, and visual arts. A customised compositional framework is also devised to promote Ghanaian unity (nkabom). Integrating traditional Ghanaian rhythms into ‘Pɛrpl Greyps’ enriches its authenticity, while exploration of avant-garde techniques further revitalises Ghanaian ‘art’ music. The composition incorporates looping, aleatory, and eclecticism techniques enhanced by narrative art and music technology. The research employs auditory, visual, and ecological elements to shape musical concepts, emphasising the importance of documenting and analysing musical compositions. Recommendations include exploring traditional Ghanaian rhythmic resources, integrating diverse musical materials, and refining custom compositional structures with contemporary techniques and technology. Through this exploration, ‘Pɛrpl Greyps’ demonstrates the transformative power of music and art in celebrating cultural heritage, fostering unity, and facilitating shared experiences in a rapidly evolving cultural landscape. xv, 314p:, ill.

2023-07-01T00:00:00Z Govina, Sena Esi http://hdl.handle.net/123456789/12234 2025-06-11T15:27:17Z 2023-12-01T00:00:00Z

Digital Entrepreneurship, Intellectual Capital and Well-Being of Owner-Managers of Small and Medium-Sized Enterprises in the Greater Accra Region of Ghana Govina, Sena Esi The relationship between digital entrepreneurship and the well-being of owner-managers remains uncertain, especially for small and medium-sized enterprises (SMEs) in developing economies like Ghana. The study examined the effect of digital entrepreneurship on the well-being of owner-managers of SMEs. It further examined the mediating role of intellectual capital on this nexus. The research employed a post-positivist perspective, utilising a quantitative research methodology and an explanatory research design. To facilitate the collection of data, a standardised, self-administered questionnaire was employed. The study utilised the simple random sampling technique to select 385 respondents from the Greater Accra region of Ghana. The data were analysed using partial least squares structural equation modelling. Results revealed that digital entrepreneurship and intellectual capital had a significant positive effect on the well-being of owner-managers. Also, intellectual capital positively mediates the link between digital entrepreneurship and well-being of owner-managers. The study concludes that digital entrepreneurship offers possibilities to improve the well-being of owner-managers. In addition, the effective management of intellectual capital, can improve the well-being of owner-managers of SMEs. The study therefore recommended that SMEs owner-managers should develop their skills and knowledge in the use and integration of current digital technologies in their business processes and effectively manage intellectual capital to benefit from the immense transformation that it brings to business operations and consequently improve their well-being. xviii, 289p:, ill.

2023-12-01T00:00:00Z Osei, Kingsley Nana http://hdl.handle.net/123456789/12226 2025-06-09T12:33:35Z 2024-08-01T00:00:00Z

Changing Beach Dynamics of Cape Coast-Elmina Coastline in Ghana Osei, Kingsley Nana This study investigates the changes in beach dynamics along the Cape Coast-Elmina coastline in Ghana from 1991 to 2020 and their impacts on local communities. The research uses a mixed-methods approach, combining remote sensing, fieldwork, community surveys, and policy analysis to understand beach erosion and its causes. Satellite imagery is used to track changes in shoreline position and beach extent, while sediment grain size measurements provide insight into alterations in beach characteristics. Community surveys, particularly among residents and fisherfolk, reveal the disruptive effects of these changes on livelihoods, including impacts on fishing operations, tourism infrastructure, and increased exposure to coastal hazards. The study attributes shoreline recession and beach erosion to a combination of natural factors such as sea level rise and wave action, as well as human activities including sand mining and coastal development. An evaluation of national coastal management policies reveals shortcomings in their implementation and enforcement, particularly in addressing these complex, interrelated issues. The research emphasizes the need for more inclusive, community-driven coastal management strategies that incorporate indigenous knowledge and local involvement. It advocates for more comprehensive, context-specific policies to promote coastal adaptation and resilience, thereby addressing the region's multifaceted challenges posed by beach dynamics. This study provides valuable evidence for improving coastal governance and safeguarding both the environment and local livelihoods xviii, 332p:, ill.

2024-08-01T00:00:00Z